Larne Abse Gogarty
Biographical Note
Readership
Students and scholars of contemporary art, social practice, radical aesthetics and histories of culture during the Depression, as well as artists, art students, curators and critics.
Table of Contents
Acknowledgments
List of Figures
Introduction: Historicising Social Practice
1 The New Deal Imaginary
2 The Stakes of Social Practice
3 Prevented Futures and Usable Pasts
1 Rehearsals for Real Life
1 Performance and Critical Realism
2 The Roof Is on Fire
3 Code 33
4 Injunction Granted
5 Conclusion: Legislation and Rehearsals
2 Social Practice / Social Reproduction
1 Introduction
2 Cells in Organisms/Cogs in Machines
3 Black and White at the Rockland Palace: The Body against the Belt
4 Dance and Domestic Labour
5 Expectations and Welfare Reform
6 ‘Each Week We started with the Body’
7 Expectations at Capp Street Gallery
8 Conclusion: Reproducing Culture, Reproducing Life
3 Housing, Homelessness and Documentary
1 If You Lived Here …
2 One-Third of a Nation
4 Race, Nation and Usable Pasts
1 Documentary and Nationalism
2 Blackness and the Limits of a Usable Past
3 Project Row Houses
Coda: Utility and Social Practice
Bibliography
Index