Art and Labour. On the Hostility to Handicraft, Aesthetic Labour and the Politics of Work in Art

Dave Beech

Author: Dave Beech
This book provides a new history of the changing relationship between art, craft and industry focusing on the transition from workshop to studio, apprentice to pupil, guild to gallery and artisan to artist. Responding to the question whether the artist is a relic of the feudal mode of production or is a commodity producer corresponding to the capitalist mode of cultural production, this inquiry reveals, instead, that the history of the formation of art as distinct from handicraft, commerce and industry can be traced back to the dissolution of the dual system of guild and court. This history needs to be revisited in order to rethink the categories of aesthetic labour, attractive labour, alienated labour, nonalienated labour and unwaged labour that shape the modern and contemporary politics of work in art.

Biographical Note

Dave Beech, Ph.D., is Reader in Art and Marxism at CCW, University of the Arts, London. He is the author of Art and Value (Brill, 2015) and Art and Postcapitalism (Pluto, 2019).

Readership

Art historians, aesthetic philosophers, cultural economists, critical theorists, social historians of labour and anyone interested in the politics of work.

Table of Contents

Acknowledgements

Introduction

Art, Labour and Abstraction

Arts, Fine Arts and Art in General

Guild, Court and Academy

Salon, Museum and Exhibition

Mechanic, Genius and Artist

Aesthetic Labour

Attractive Labour

Alienated Labour

Nonalienated Labour

10 The Critique of Labour

Conclusion

Bibliography
Index