Odyssey
Spectacles of Trauma: Hegemonic Humanism and the Reconfiguration of Anti-War Consciousness in Nolan’s ‘The Odyssey’
Nolan’s most recent films emerge within a historical conjuncture in which the world itself is undergoing profound changes. Escalating wars, intensifying nuclear anxieties, increasingly aggressive forms of imperial power, and the expanding resistance to them – including resistance emerging from within the imperial system itself – have returned questions of war and peace to the forefront of public consciousness.
