A debate between Mike Haynes and John Marot
Reply to Mike Haynes
How to write with open possibility when one knows the ending?
China Miéville, 2017
(This article is in response to Mike Haynes' article here.)
A Forum on the Teachers Rebellion in the United States
A Forum on the Teachers Rebellion in the United States
This article explores a central paradox of contemporary identity-politics: why do we look for recognition from the very institutions we reject as oppressive? The article puts forward the case that neoliberalism’s continued assault on the bases for collectivity has led to a suspicion that ‘the collective’ as an essentialising concept. The assault on the collective coupled with the neoliberal imperative to create an ‘authentic’ self has led to trauma and victimhood becoming the only bases on which people can unite. This manifests discursively and theoretically in the primary trope of contemporary activism: ‘intersectionality’. Mobilising around this analytical concept has led to an analysis of oppression that, even as it claims to be systemic, is totally dematerialised and relentlessly individualised. Instead of building collective power, we are left with a politics of individual demand coming from a coalition of dispersed subject-positions.
Discussions of ‘cultural appropriation’ in popular culture suffer from an inherited politics of authenticity and ownership originating in a liberal legal–ethical framework. Using Raymond Williams’s and Stuart Hall’s cultural theory, this paper pinpoints the place at which cultural-appropriation discourse goes wrong – an essentialist and anti-historical notion of colonial encounters. We can overcome these limits through Marxist cultural and historical analysis. Outrage about colonial violence which most often roots appropriation discourse is better understood within the context of an account of the transition to capitalism beginning with the Low Countries and its eastern colonies. Furthermore, the Marxist idea of the cosmopolitan cultures of both capital and labour offers a productive path for the history of culture rooted in the same colonial encounter.
Taking Mina Loy’s articulation of femininity in her poem ‘One O’Clock at Night’ as a point of departure, I examine a false dichotomy facing contemporary feminism: should we identify with or reject the gender imposed upon us? In conjunction with a materialist analysis which posits women as a class, this paper argues that Loy’s discussion of gender could provide a useful framework with which to critique the ‘soft abolitionist’ approach trending today; a largely online movement which assumes that the individual can permanently sever themselves from the confines of gender and construct an autonomous political subjectivity from this shared (and often openly traumatised) ‘non-identity’. This paper discusses criticisms by trans theorists of the notion that liberation can be located from within gender, and explore ways in which the identification-versus-rejection question has been engaged with in historical feminisms. This includes Monique Wittig’s partial rejection of the term ‘woman’, and a strand of 1970s radical feminism termed (by its critics) ‘the anti-woman line’. In its conclusion, this paper looks to the present – using the feminist-activist group Sisters Uncut as a case study. It asks whether a dialectical praxis, looking to the conversations around ‘identity’ had within historical feminist movements, could inject contemporary feminisms and struggles with a politics of solidarity or political subjecthood, cutting through debates based on narrow understandings of identity and non-identity.
The last several decades have produced a slew of important studies by Marxists of the logic of capital, as well as numerous explorations by postcolonial theorists of the narratives that structure racial and ethnic discrimination. Far too often, however, these two currents have assumed different or even opposed trajectories, making it all the harder to transcend one-sided class-reductionist analyses and equally one-sided affirmations of identity that bypass or ignore class. In light of the new reality produced by the deepening crisis of neoliberalism and the looming disintegration of the political order that has defined global capitalism since the end of the Cold War, the time has come to revisit theoretical approaches that can help delineate the integrality of race, class and capitalism.
This contribution offers some observations with regard to political identities in a popular movement largely based in the shantytowns of Durban, South Africa. It seeks to examine, via more than a decade of immersion and research, one instance of how popular organisation and mobilisation has been mediated through shifting political identities. It argues that if discourse professionals on the left are to become effective actors it will be necessary to take popular political identities a lot more seriously, and to enable mutually transformative engagement between theory and actually-existing forms of popular striving and struggle.
This paper explores contemporary Jewish identity-formation and the centrality of official Holocaust memory and Zionism – understood as the ongoing settler-colonial project aiming at the formation and maintenance of a Jewish-exclusivist state in Palestine – to this process. It argues that identity politics within the Jewish community are based on an understanding of identity, which assumes it to be static and individual. In doing so, this political approach reproduces the essentialisation of Jewish communities under the banner of Zionism and official state history. The paper aims to show how this process of identification between Judaism, official Holocaust memory and Zionism has been a state-led process, rooted in the historical development of antisemitism and European colonialism. In order to do so, it builds on a critique of classical Marxist analyses of the Jewish question. It finally proposes a more fluid approach to identity, which understands it as socially constructed, contested, and subject to political contestation.